Embedded in My Consciousness’: Why Gremlins 2: The New Batch Is My Comfort Movie

“Well, it’s rather brutal here. Our recommendation is all of our clients to commit their entire holdings into tinned provisions and hunting rifles.” That bit of shrewd guidance comes from the Brain Gremlin – a scientifically altered, articulate, spectacled member of the oozy monster mob that infests Manhattan’s high-tech Clamp Tower skyscraper in director Joe Dante’s unhinged continuation Gremlins 2: The New Batch. On the surface, it’s simply an financial suggestion from one monster to another. But, curiously, it’s also surprisingly sturdy existential counsel. Seriously, listen to my reasoning.

When life takes a turn for the worse, the biggest mistake you can do is approach matters with excessive gravity. The Brain Gremlin comprehends this. In fact, most of the toothy monsters that inhabit Dante’s chaotic 1990 feature (arguably his best) possess the same knowing, self-referential funny bone regarding the blurry line separating daily routine and pure pandemonium. It’s one element of Gremlins 2: The New Batch that keeps me coming back – and as I age, it’s the underlying idea that echoes the loudest.

An Early Life Obsession

Naturally, my attachment to this movie did not begin on such an introspective level. In my youth, we possessed merely a few scratched-up video tapes at home. Included within that collection were Gremlins and its follow-up, the latter housed in a chunky ex-rental box likely purchased from an independent video outlet and featuring snarling creatures on its tattered front. I was immediately enamoured and these films did not delay lodging themselves inside my tiny, impressionable mind. From then on, they became an near-everyday part of my early years entertainment regimen.

Dante’s initial installment typically gets all the praise, thanks primarily due to its legacy as a semi-scary seasonal fave – and to be fair, I’ve watched Gremlins more times than I can count. Nevertheless, its follow-up infrequently obtains the same level of high regard, which feels a travesty. As a kid, I’d never miss an opportunity to watch Gremlins 2. During bright summer vacations, I’d lock myself inside and pop it in. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. With repetition, it etched itself permanently in my mindset. If my parents detected this preoccupation, they appeared unbothered.

Deeper Rewards and Societal Nuggets

As I grew, new revelations rewarded repeat viewings, elevating the fun of watching little green monsters joyously wreck a New York high-rise. I learned the future-focused development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the later-to-be-president Donald Trump, with his ginger staff member Marla (Haviland Morris) echoing his second wife Marla Maples. Thankfully, Clamp possesses greater compassion than his real-life counterpart.

The “doomsday” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a real-life “Doomsday” video commissioned by the CNN boss Ted Turner in case the world actually met its demise. I noticed how Dante made a special effort to film different iterations of a self-referential segment where Gremlins hijack the very film you’re watching. One for cinemas, one for VHS and TV, each offering a winking bit of meta pop-culture magic ahead of its time.

An Enduring Influence

While it was makeup maestro Rick Baker’s fantastically vile creatures that caught my eye as a child, this subsurface richness maintained my fascination as an adult. Ultimately, I even conversed with Dante about it myself and he had no qualms informing me he made the movie with the direct intention of ridiculing those who loved its goofy-but-heartfelt predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This Looney Tunes-esque rebelliousness and commitment to not take his sequel as gravely as his Warner Bros bosses obviously desired, only increased my affection for it.

When I experienced a sudden family bereavement not long ago, I was taken aback to discover that, during my heightest mourning, all I wanted to do was sit and watch Gremlins 2: The New Batch. Weird, right? Perhaps not. The comforting familiarity it furnished was needed to dilute my mind’s sadness sludge – but the stuff it had bestowed upon me as an adult were equally valuable.

Like Gremlins tearing apart a genetics laboratory, there’s particular aspects in life you just cannot manage. Dante understands this. The Brain Gremlin knows it too. Sometimes, you have to emulate them: accept the turmoil, put everything you’ve got into tinned provisions and hunting rifles and try not to view the world with undue solemnity.

It’s powerful existential guidance from a most improbable origin – and it’s why Gremlins 2: The New Batch will always be my go-to cinematic solace.

Danielle Smith
Danielle Smith

Elara Vance is an art historian and curator with over a decade of experience in European contemporary art scenes.